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The hi-hat's inward twin — ticks that recover breath instead of costing it.
voice: D-Koy
Nobody has shared their Inward Hi-Hat here yet.
Be the first to show how you do it.
An isolated example — just the sound, a few hits — is the most useful first recording. In-a-beat examples show what it can do.
Should I learn this now?
Easier after Closed Hi-Hat — the control you build there is what makes this one click.
Start here: the steps below. They are written for a complete beginner — no vocabulary needed.
Make a normal "t" hi-hat and feel the air leave.
Now pull a thin sip of air IN through the same tongue position.
The sound is softer — tighten the tongue seal until it sharpens.
Weave them: t out, t in, t out — endless hats, no air lost.
Drum sounds made while breathing IN instead of out.
Most people's first surprise in beatboxing: some of the sharpest sounds are made on the in-breath. Pulling air inward past the tongue or lips creates crisp, dry hits — and because you're inhaling while you play, inward sounds let you keep a beat going without stopping to breathe.
No external tutorials are listed for this sound yet. Resources appear here once a maintainer has opened and confirmed them — nothing is listed on trust.
People who offer lessons and work with this sound. Performing it well and teaching it well are different things — recording likes play no part here.
“Lists this sound” is the coach's own statement from their desk; “mentions” is a match in their listing. Lesson counts and reviews come from bookings on this site.
Variations, what it sits well with, and where it leads. For when the basic sound is in your mouth.
The map has no edges from this sound yet — it stands on its own for now.